Simple Tips for Shooting Video
Tips for better balance and framing for videos of people.
You can take well balanced shots if you change the size and position of the person on the screen to match the part of the subject you want to emphasize. For example, when you want to show the subject’s whole body, the image will not be as effective if the head or feet are cut off. To avoid such situations, it is important that you fix the composition and pay attention to the balanced placement of the subject on the screen. The examples below describe some basic shots and framings for people.
Full shot
This shot fits the subject’s whole body within the frame. This type of shot conveys the subject’s surroundings or actions involving the whole body. Try shooting shots like this with some space above the subject’s head and below the feet.

Waist Shot
This shot shows the subject from the waist upward. It works well to show the subject’s facial expression with some of the surroundings. Try shooting the shot with some space above the subject’s head and positioning the eyes above the center line of the screen.

Chest Shot
This shot shows the subject from the chest upward. It works well to show the subject’s facial expression and provides a sense of closeness. It is okay to take these shots without consciously leaving space above the subject’s head.

Close-up
This shot shows the subject’s whole face on the screen. It is effective for emphasizing subject’s expression. Try shooting the shot, positioning the subject’s nose at the center line of the screen.

Extreme Close-up
This shot is used to enlarge the part of the subject that you want to emphasize, for example, the eyes, mouth, fingers, hands, or feet.

Framing Your Shots
Shooting well balanced compositions with thought given to what you want to convey is an important part of Video.
Horizontal framing
The point of this shot is to open up some space in the direction the subject is facing.



The far-right image is not balanced because there is not enough space in the direction the subject faces.
Vertical framing
The point of this shot is to position the subject’s eyes at or slightly above the center of the screen.



In the case of the far-left image above, people may not know which part they should be looking at if the eye position is below the center line.
Diagonal framing
The point of this shot is to shoot diagonally to bring out a sense of depth in the image.


In the far-right image above, the subject blocks the trees in the background, resulting in an image that lacks depth.
Some Tips For Interviewing
Some Tips For Interviewing
Set up appointments well in advance. Be prepared for some people to flake out. It may take 2-3 attempts for you to land the interview.
Because your inquiry is about education, of course you will feel that your interviews should naturally take place in classrooms. But that doesn’t have to be the case. You can talk over lunch, in a park, or even at the interviewee’s house or place of work. Doing this will give your overall footage a sense of variety.
When picking interview spots, the most crucial thing you should do is to “scout” the location for its potential background audio problems. As a general rule, filming indoors will allow you to control your sound more, but there is something to be said for conducting the interview in an interesting outdoor locale, like near a river or on a balcony, etc. The key is to first determine if the background ambient sound will be a distraction or not.
When you do film in a classroom, take a few minutes to determine if the room has any interesting visual aspects that you can include in the scene. Maybe there are interesting “props” in the room, like maps or globes or science equipment. Our CTE schools have a great opportunity in this regard, because their classrooms are often such visually interesting places.
When interviewing listen carefully to what they say. That may seem obvious, but you would be surprised how often the interviewer is reading their own interview questions, or adjusting the camera, and in so doing, they don’t hear some important tidbit delivered by the interviewee that would make for a very powerful follow-up question.
Let them do the talking. This too may seem very obvious, but you would be amazed how easy it is for the interviewer to start in discussing the issue at hand with the interviewee, and next thing you know you have 30 minutes of footage in which the interviewer has talked for 20 minutes of it! (Or maybe I am just talking about myself here!)
Try to make the interview as comfortable as possible for both you and the interviewee. The more the process feels like a regular conversation—in which you are playing the part of attentive listener—the better. In other words, try not to cling too much to your “10 questions.” It can give the interview a kind of stilted or canned feel.
If the interviewee talks fast, or gets themself lost, or their answer peters out…it is perfectly OK to ask them to repeat themselves. Often their second attempt uncovers new aspects of their answer. Another tip is to rephrase your question if it feels like the interviewee is struggling a bit.
Once people warm up don’t be surprised if they don’t shut up. Don’t be surprised if they get off track. Find gentle ways to steer them back.
Group interviewing may work for you.
Consider showing your questions to the interviewee ahead of time. This allows them to focus in on where you are headed. (Interviewees WANT to do well.)
VERY IMPORTANT: Avoid posing YES/NO Style questions. It is MUCH harder to compose questions that are NOT yes/no in style, but obviously yes/no questions limit severely the interviewee. You will want to take the time to come up with more open-ended questions. You may notice that one strategy of seasoned interviewers is to not even really ASK questions. But rather they will frequently state their own premises or biases or hunches and ask the interviewee to comment on that. This may feel a bit like “leading the witness” but in our experience interviewees are very comfortable about—and capable of—supplying their own counter-hunch.
If your first 2-3 interviewees all give you more-or-less the same responses, try coming up with questions that create a little controversy.
Also, It’s perfectly fine to say, “John says ‘blah blah blah” about the topic. What is your response to that, Maria?”
Have fun…remember to breathe…
About FIN
The Faculty Inquiry Network’s (FIN) purpose is to support professional development which includes: conducting faculty inquiry; revisiting basic skills assumptions; interpreting and integrating data; accessing student voices; developing students as co-inquirers; making visible; using technology for teaching and learning; creating and supporting new initiatives, curriculum and program development; constructing educational tools using digital media; and hosting dialogue around student and faculty learning.
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