Basic Skills in Complex Contexts

FIN Commons

Going The Distance

Posted by Sean McFarland on March 5, 2009 in Acceleration, Equity, Making Visible, Student Interviews, Student Voice, Technology, Video Evidence with No Comments


In Going The Distance, Chabot College students and faculty share their experiences in taking — and teaching — Distance Education courses. They speak candidly and with insight about: “How the availability of DE courses plays a crucial role in their college matriculation” “What it takes to succeed in the online setting” “How the workload compares with more traditional classroom settings” “How student interactions compare with traditional classroom settings” “What it is like to interact with a teacher in the online environment” and more! Edited in a visual style inspired by the world of technology, Going The Distance offers an engaging, fresh discussion of the promise and challenges of Distance Education.

The creation of Going The Distance was generously supported by: SPECC (Strengthening Pre-collegiate Education in Community Colleges), a joint project of the Carnegie Foundation for the Advancement of Teaching, and the William and Flora Hewlett Foundation.

 

 

(FIN employee Monique Williams made this film while a student at Chabot College.)

The World In Your Hands

Posted by Sean McFarland on March 3, 2009 in Equity, Fear, Identity, Learning Communities, Learning to Learn, Making Visible, Metacognition, Student Confidence, Student Interviews, Student Voice, Video Evidence with No Comments


Welcome to an orientation film for the Disabled Students Programs and Services (DSPS) at Chabot College. Take a walk with us and explore the experiences of five students and a counselor, and learn how DSPS helped them reach their educational goals. 

 

 

(FIN employee Jamie Chandler made this film while a student at Chabot College.)

 

Reading Between The Lives

Posted by Sean McFarland on March 3, 2009 in Developing Questions, Fear, Identity, Learning to Learn, Literacy, Making Visible, Metacognition, Reading, Student Confidence, Student Interviews, Student Voice, Video Evidence with No Comments


 

A long, long time ago, in a college about a quarter mile off Interstate 880…four students and a teacher, fueled by a SPECC grant, set out on an epic quest to ask the questions no one dared to ask about reading. Facing over 125 daunting student intake essays, 50 hours of intensive interviews, and trudging through 300 hours of post-production they emerged with a victorious 60-minute movie and restored freedom in the collegiate galaxy.

The Creation of Reading Between The Lives was generously supported by: SPECC (Strengthening Pre-collegiate Education in Community Colleges), a joint project of the Carnegie Foundation for the Advancement of Teaching, and the William and Flora Hewlett Foundation.

 

Simple Tips for Shooting Video

Posted by Sean McFarland on March 1, 2009 in Making Visible, Multimedia, Technology, Video Evidence with No Comments


 Tips for better balance and framing for videos of people.

You can take well balanced shots if you change the size and position of the person on the screen to match the part of the subject you want to emphasize. For example, when you want to show the subject’s whole body, the image will not be as effective if the head or feet are cut off. To avoid such situations, it is important that you fix the composition and pay attention to the balanced placement of the subject on the screen. The examples below describe some basic shots and framings for people.


Full shot

This shot fits the subject’s whole body within the frame. This type of shot conveys the subject’s surroundings or actions involving the whole body. Try shooting shots like this with some space above the subject’s head and below the feet.

 

Waist Shot

This shot shows the subject from the waist upward. It works well to show the subject’s facial expression with some of the surroundings. Try shooting the shot with some space above the subject’s head and positioning the eyes above the center line of the screen.

 

Chest Shot

This shot shows the subject from the chest upward. It works well to show the subject’s facial expression and provides a sense of closeness. It is okay to take these shots without consciously leaving space above the subject’s head.

 

Close-up

This shot shows the subject’s whole face on the screen. It is effective for emphasizing subject’s expression. Try shooting the shot, positioning the subject’s nose at the center line of the screen.

close

 

Extreme Close-up

This shot is used to enlarge the part of the subject that you want to emphasize, for example, the eyes, mouth, fingers, hands, or feet. 

 

Framing Your Shots

Shooting well balanced compositions with thought given to what you want to convey is an important part of Video. 

Horizontal framing

The point of this shot is to open up some space in the direction the subject is facing.

The far-right image is not balanced because there is not enough space in the direction the subject faces.

 

Vertical framing

The point of this shot is to position the subject’s eyes at or slightly above the center of the screen.

In the case of the far-left image above, people may not know which part they should be looking at if the eye position is below the center line.

 

Diagonal framing

The point of this shot is to shoot diagonally to bring out a sense of depth in the image.

In the far-right image above, the subject blocks the trees in the background, resulting in an image that lacks depth.

Some Tips For Interviewing

Posted by Sean McFarland on February 28, 2009 in Making Visible, Student Interviews, Student Voice with 1 Comment


Some Tips For Interviewing

 

Set up appointments well in advance. Be prepared for some people to flake out. It may take 2-3 attempts for you to land the interview.

 

Because your inquiry is about education, of course you will feel that your interviews should naturally take place in classrooms. But that doesn’t have to be the case. You can talk over lunch, in a park, or even at the interviewee’s house or place of work. Doing this will give your overall footage a sense of variety.

 

When picking interview spots, the most crucial thing you should do is to “scout” the location for its potential background audio problems. As a general rule, filming indoors will allow you to control your sound more, but there is something to be said for conducting the interview in an interesting outdoor locale, like near a river or on a balcony, etc. The key is to first determine if the background ambient sound will be a distraction or not.

 

When you do film in a classroom, take a few minutes to determine if the room has any interesting visual aspects that you can include in the scene. Maybe there are interesting “props” in the room, like maps or globes or science equipment. Our CTE schools have a great opportunity in this regard, because their classrooms are often such visually interesting places.

 

When interviewing listen carefully to what they say. That may seem obvious, but you would be surprised how often the interviewer is reading their own interview questions, or adjusting the camera, and in so doing, they don’t hear some important tidbit delivered by the interviewee that would make for a very powerful follow-up question.

 

 Let them do the talking. This too may seem very obvious, but you would be amazed how easy it is for the interviewer to start in discussing the issue at hand with the interviewee, and next thing you know you have 30 minutes of footage in which the interviewer has talked for 20 minutes of it! (Or maybe I am just talking about myself here!)

 

Try to make the interview as comfortable as possible for both you and the interviewee. The more the process feels like a regular conversation—in which you are playing the part of attentive listener—the better. In other words, try not to cling too much to your “10 questions.” It can give the interview a kind of stilted or canned feel.

 

If the interviewee talks fast, or gets themself lost, or their answer peters out…it is perfectly OK to ask them to repeat themselves. Often their second attempt uncovers new aspects of their answer. Another tip is to rephrase your question if it feels like the interviewee is struggling a bit.

 

Once people warm up don’t be surprised if they don’t shut up. Don’t be surprised if they get off track. Find gentle ways to steer them back.

 

Group interviewing may work for you.

 

Consider showing your questions to the interviewee ahead of time. This allows them to focus in on where you are headed. (Interviewees WANT to do well.)

 

VERY IMPORTANT: Avoid posing YES/NO Style questions. It is MUCH harder to compose questions that are NOT yes/no in style, but obviously yes/no questions limit severely the interviewee. You will want to take the time to come up with more open-ended questions. You may notice that one strategy of seasoned interviewers is to not even really ASK questions. But rather they will frequently state their own premises or biases or hunches and ask the interviewee to comment on that. This may feel a bit like “leading the witness” but in our experience interviewees are very comfortable about—and capable of—supplying their own counter-hunch.

 

 If your first 2-3 interviewees all give you more-or-less the same responses, try coming up with questions that create a little controversy.

 

Also, It’s perfectly fine to say, “John says ‘blah blah blah” about the topic. What is your response to that, Maria?”

 

 Have fun…remember to breathe…

 

About FIN

The Faculty Inquiry Network’s (FIN) purpose is to support professional development which includes: conducting faculty inquiry; revisiting basic skills assumptions; interpreting and integrating data; accessing student voices; developing students as co-inquirers; making visible; using technology for teaching and learning; creating and supporting new initiatives, curriculum and program development; constructing educational tools using digital media; and hosting dialogue around student and faculty learning.

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